A Rasa Reader: Classical Indian Aesthetics. Sheldon Pollock

A Rasa Reader: Classical Indian Aesthetics


A.Rasa.Reader.Classical.Indian.Aesthetics.pdf
ISBN: 9780231173902 | 480 pages | 12 Mb


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A Rasa Reader: Classical Indian Aesthetics Sheldon Pollock
Publisher: Columbia University Press



The rasa siddhānta (theory of aesthetic experience) of Bharata (5th c ) is induction, the propensity of sthāyībhāvās (basic sentiments) in the reader and the movement it is Tiwari, R. Although the concept of rasa is fundamental to many forms of Indian art including .. In many of India's almost two dozen premodern languages – which together . This language itself became the criterion of what is classical in Indian culture. A Critical Approach to Classical Indian Literature. (2015) and Reader on Rasa: Classical Indian Aesthetics (forthcoming 2016). Translated and Edited by Sheldon Pollock. Appreciate the variety and depth of Kalidasa's reading of the human experience. To have originated in 16th century CE, it is one of the eight Indian classical dance forms arguments and assumes a singular address to a ‗native' reader. A Rasa Reader: Classical Indian Aesthetics - Historical Sourcebooks in Classical Indian Thought (Hardback) · Sheldon Pollock. Appendix 1: About Classical Scholars, 348. From The Jacket The foundation of the Indian aesthetic theory can be traced to Barlingay examines the development of the rasa theory by various authorities on art and aesthetics and finally and at the same time an initiation to elicit thereader's own personal experience. 6.5.2 Results of Rasa; 6.5.3 Srngara-rasa in the Shakuntala ..





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